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Loading... A Discovery of Witchesby Deborah Harkness
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Witchy Fiction (7) Best Fantasy Novels (221) » 29 more Books Read in 2019 (152) Top Five Books of 2013 (514) Books Read in 2022 (196) Top Five Books of 2014 (689) Top Five Books of 2017 (227) Female Protagonist (276) Books Read in 2020 (1,223) Best Audiobooks (191) Books Read in 2016 (4,627) Books read in 2024 (14) Great Audiobooks (76) Academia in Fiction (72) Books Read in 2012 (136) KayStJ's to-read list (704) al.vick-series (70) No current Talk conversations about this book. ![]() ***NO SPOILERS*** (Full disclosure: book abandoned at page 255, out of 579 pages) If this were more the mystery described in the summary and less a romance, A Discovery of Witches would have been better—and blessedly shorter. The story starts on the right track, with the intriguing mystery taking center stage, but veers off track when the vampire love interest enters the scene early on. Author Deborah Harkness prioritized the detailing of witch Diana and vampire Matthew's various dates, from yoga excursions to breakfast at a favorite restaurant. It's corny but also bizarre given that as these two are mooning over each other, Diana is in grave danger. Harkness rationed the mystery and suspense so stingily that I was never hooked. The book has similarities to [book:Twilight|41865] that are close enough to upset Stephenie Meyer. Two early scenes are nearly replicas, and character portrayals promote the same unhealthy romantic model: a vampire with off-putting possessive tendencies and a love interest who yields to him. In total it's different enough from Twilight to not be a retelling, but it would have been wise for Harkness to change at least the early scenes so her book doesn't immediately give the impression of having lifted from Meyer's work. Despite being about witches, vampires, and daemons, A Discovery of Witches lacks a spooky and magical feel. I picked this up thinking it would be an enjoyable trilogy to read for the upcoming Halloween season, but it's better suited to Valentine's day. I gave up at the story's most dull scene up to that point, a revelatory moment when I realized that getting to the heart of the mystery wasn't going to happen any time soon: a horse-riding date. This is complete with details about boots, saddles, reins, the horses themselves, the meanings of the horses' names, and a racing scene between Matthew and Diana. A Discovery of Witches looks like a quality paranormal story, but stripped of its sophisticated Oxford University setting and educated main characters, it's just another paranormal romance. I'll give Harkness credit for solid writing and charismatic characters. The mystery that's here, though, lacks enough urgency to grip, and it's tucked into a bloated story with so many unnecessary scenes. No wonder it's so long. Redeemed only through a nice use of language. Initial assessment: Harlequin romance meets Twilight. Most irritating similarity to Twilight: they discover all sorts of ways to be physically intimate without intercourse. Annoyingest magical quality: a witch that claims she doesn't want to use her powers and has spent yeeeears attempting to ignore her powers, "slips up" and uses said powers to get a book that's out of reach on a high shelf. Yes, that's how strong her moral determination is--looking for a ladder trumps principle. Stereotypes annoy me, and A Discovery of Witches is full of romantic stereotypes. If it starts to feel like you've read it before, it's because you have. Bookish orphaned heroine meets dark, brooding man. Initially annoyed by his arrogance, she segues quickly into accommodation, and then lust. Brooding man finds his thoughts preoccupied with her quiet beauty, with something noticeably sparkly about her, and briefly runs away from their building relationship to come to terms with his past. Heroine and hero reunite, enjoy brief interlude, attend the most snort-worthy yoga class ever described in literature, then unite to defend their love against others. We are supposed to rave because it's a vampire and witch, and somehow that makes it all different. Except more than being vampire and witch, they are really doctor-geneticist and historian. I ended up skimming last half of the book just because my book OCD can't stand not knowing the end to a plot. My favorite review on this was done by Amanda: https://www.goodreads.com/review/show/148683193?book_show_action=false&page=...
"With books about fictional witches, it’s all too easy to fall back on tongue-in-cheek descriptors like “enchanting” or “spellbinding,” but both adjectives aptly describe the superbly entertaining saga Harkness has crafted. This is a riveting tale full of romance and danger that will have you on the edge of your seat, yet its chief strength lies in the wonderfully rich and ingenious mythology underlying the story. Entwining strands of science and history, Harkness creates a fresh explanation for how such creatures could arise that is so credible, you’ll have to keep reminding yourself this is fiction." As will be obvious by now, this is a very silly novel. Characters and relationships are stereotyped. The historical background is a total pudding. The prose is terrible. And yet, the ideas have just enough suction, somehow, to present an undemanding reader with some nice frissons. I liked, for example, the way Diana tries to sublimate her magic powers in running and rowing and doing yoga – at a mixed vampire-witch-daemonic yoga class, participants struggle not to levitate during their vinyasas. And I liked the way Matthew and Diana smell to each other like Jo Malone candles: Diana is "horehound, frankincense, lady's mantle", Matthew is "cinnamon and clove". "a thoroughly grown-up novel packed with gorgeous historical detail...Harkness writes with thrilling gusto about the magical world. Whether she's describing a yoga class for witches, daemons, and vampires or Diana's benignly haunted house, it's a treat to suspend disbelief. ... As the mysteries started to unravel, the pages turned faster, almost as if on their own. By the most satisfying end, Harkness had made me a believer. "a romantic, erudite, and suspenseful first novel by Deborah Harkness. The first in a planned trilogy, it sets up blood drinkers and spell weavers as enemies for eternity in a feud as old as the Crusades; the duo confront social disapproval and intolerance as they elude evildoers and puzzle out enigmas throughout history. ...Harkness attends to every scholarly and emotional detail with whimsy, sensuality, and humor. The protagonist is a witch. Her beau is a vampire. If you accept the argument that we’ve seen entirely too many of both kinds of characters in contemporary fiction, then you’re not alone. Yet, though Harkness seems to be arriving very late to a party that one hopes will soon break up, her debut novel has its merits; she writes well, for one thing, and, as a historian at the University of Southern California, she has a scholarly bent that plays out effectively here. Is contained inContainsHas the adaptationIs abridged inHas as a reference guide/companionHas as a commentary on the textDistinctionsNotable Lists
Witch and Yale historian Diana Bishop discovers an enchanted manuscript, attracting the attention of 1,500-year-old vampire Matthew Clairmont. The orphaned daughter of two powerful witches, Bishop prefers intellect, but relies on magic when her discovery of a palimpsest documenting the origin of supernatural species releases an assortment of undead who threaten, stalk, and harass her. No library descriptions found.
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![]() GenresMelvil Decimal System (DDC)813.6Literature American literature in English American fiction in English 2000-LC ClassificationRatingAverage:![]()
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