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The Girl Who Played with Fire (2006)

by Stieg Larsson

Other authors: See the other authors section.

Series: Millennium (2)

MembersReviewsPopularityAverage ratingConversations / Mentions
31,31094391 (4.12)1 / 800
On the eve of publisher Mikael Blomkvist's story about sex trafficking between Eastern Europe and Sweden, two investigating reporters are murdered. And even more shocking for Mikael Blomkvist: the fingerprints found on the murder weapon belong to Lisbeth Salander--the troubled, wise-beyond-her-years genius hacker who came to his aid years before.… (more)
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English (842)  Spanish (21)  Dutch (20)  German (10)  French (9)  Italian (8)  Swedish (8)  Danish (7)  Catalan (5)  Norwegian (4)  Portuguese (Portugal) (3)  Hebrew (1)  Finnish (1)  Portuguese (Brazil) (1)  Romanian (1)  All languages (941)
Showing 1-5 of 842 (next | show all)
Има книги, които те грабват с историята си, с героите, с разказа. Има и книги, които ги прочиташ само за да видиш какво ще стане накрая. Тази, за съжаление, е от втория вид.

След като гледах два от филмите по трилогията, дойде ред и на една от книгите, които бяха яко хвалени навсякъде. Стиг Ларсон обаче е журналист и пише като журналист, а не като писател. 600-те страници на книгата са пълни главно с напрежение, създавано всячески, с технически подробности относно всяко действие на главни и особено на второстепенни и епизодични герои, с всякакви детайли.

Книгата е интересна за четене, увлича, но няма развитие, централна тема и как да кажа... душа. Тя е просто списък от безброй събития, навързани от покачващо се напрежение - самоцелен трилър, в който нито образите на героите са развити, нито събитията са описани кой-знае колко интересно.

За пореден път се убеждавам, че медийният хайп, особено за книги, не предвещава нещо добро. Не лоша книга, с голям потенциал (особено що се отнася до героите), но авторът е слаб писател и не се виждам да я прочета пак някога.

P.S. А супер-хакерката, която ползва мак, е просто черешка в тортата на смешния шведски социал-демократизъм, лъхащ от всяка страница ;) ( )
  Longanlon | Nov 19, 2024 |
"Nobody was innocent. There were only varying degrees of responsibility"

I love this series. I wish I could pin point exactly why....I think maybe because it completely surprises me with the ugliest side of people. The plot is twisted and intricate and also surprises me. I can never guess the end or even how we will get there.

But mostly, I think it's because I love Salander and Blomkvis. I did love the other supporting characters we spent time with but I still love Lisbeth and Mikael the most.

It will be weeks before I can get to book 3. But I will.
and a book 4?? Yes, yes please :) ( )
  Trisha_Thomas | Nov 14, 2024 |
Review to follow ( )
  DemFen | Oct 31, 2024 |
Review to follow. ( )
  DemFen | Oct 31, 2024 |
This sequel to the Girl With the Dragon Tattoo was far more solid in pace but no less substantial in length than its predecessor; the initial focus on Lisbeth, and her continuing role as the primary character (as opposed to the gray and uninteresting Blomkvist) made this book far more engaging for me. The mystery's complexity turned out to be a series of relationship revelations (not necessarily romantic), which was a bit of a let down, but the action is not to be denied. Fascinating look at modern Swedish culture in bits and pieces, too. ( )
  nclithing | Oct 8, 2024 |
Showing 1-5 of 842 (next | show all)
When a novel moves or affects me deeply, I think about it when I’m walking around. I don’t find myself thinking about The Girl Who Played With Fire, but while I was reading it, I was useless until I got to the end. In retrospect, my experience of the book, like it’s characters, seems unreal. As, of course, it was.
 
When Larsson gets down to the business of telling a story, he tells a nerve-tingling tale.
 
For all the complications of the melodramatic story, which advances at a brisk, violently cinematic clip in Reg Keeland’s translation, it’s clear where Larsson’s strongest interests lie — in his heroine and the ill-concealed attitudes she brings out in men.
 
Mr. Larsson’s two central characters, Salander and Blomkvist, transcend their genre and insinuate themselves in the reader’s mind through their oddball individuality, their professional competence and, surprisingly, their emotional vulnerability.
 
Lisbeth Salander se ha tomado un tiempo: necesita apartarse del foco de atención y salir de Estocolmo. Trata de seguir una férrea disciplina y no contestar a las llamadas y mensajes de un Mikael que no entiende por qué ha desaparecido de su vida sin dar ningún tipo de explicación. Las heridas del amor las cura Lisbeth en soledad, aunque intente despistar el desencanto con el estudio de las matemáticas y ciertos felices placeres en una playa del Caribe. ¿Y Mikael? El gran héroe, el súper Blomkvist, vive buenos momentos en Millennium, con las finanzas de la revista saneadas y reconocimiento profesional de colegas y medios. Ahora tiene entre manos un reportaje apasionante que le propone una pareja, Dag y Mia, sobre el tráfico y prostitución de mujeres provenientes del Este. Las vidas de nuestros dos protagonistas parecen haberse separado por completo, y mientras... una muchacha, atada a una cama soporta un día y otro día las horribles visitas de un ser despreciable, y sin decir una palabra, sueña con una cerilla y un bidón de gasolina, con la forma de provocar el fuego que acabe con todo.
added by Pakoniet | editLecturalia
 

» Add other authors (22 possible)

Author nameRoleType of authorWork?Status
Larsson, Stiegprimary authorall editionsconfirmed
Bjørnson, ElisabethTranslatorsecondary authorsome editionsconfirmed
Brynolfsson, ReineNarratorsecondary authorsome editionsconfirmed
Giorgetti Cima, CarmenTranslatorsecondary authorsome editionsconfirmed
Gouvenain, Marc deTranslatorsecondary authorsome editionsconfirmed
Grumbach, LenaTranslatorsecondary authorsome editionsconfirmed
Haidarová, AzitaTranslatorsecondary authorsome editionsconfirmed
Keeland, RegTranslatorsecondary authorsome editionsconfirmed
Kuhn, WibkeTranslatorsecondary authorsome editionsconfirmed
Kyrö, MarjaTranslatorsecondary authorsome editionsconfirmed
Lexell, MartínTranslatorsecondary authorsome editionsconfirmed
Ortega Román, Juan JoséTranslatorsecondary authorsome editionsconfirmed
Reichlin, SaulNarratorsecondary authorsome editionsconfirmed
Sekov, TorbenNarratorsecondary authorsome editionsconfirmed
Torma PéterTranslatorsecondary authorsome editionsconfirmed
Vance, SimonNarratorsecondary authorsome editionsconfirmed
Varotto, FrancescaEditorsecondary authorsome editionsconfirmed
Vilardell, AlbertTranslatorsecondary authorsome editionsconfirmed
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She lay on her back fastened by leather straps to a narrow bed with a steel frame.
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Wikipedia in English (1)

On the eve of publisher Mikael Blomkvist's story about sex trafficking between Eastern Europe and Sweden, two investigating reporters are murdered. And even more shocking for Mikael Blomkvist: the fingerprints found on the murder weapon belong to Lisbeth Salander--the troubled, wise-beyond-her-years genius hacker who came to his aid years before.

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Book description
Lisbeth Salander is wanted for a triple murder. All three victims are connected to a trafficking exposé about to be published in Mikael Blomqvist’s magazine Millenium, and Lisbeth’s fingerprints are on the weapon.
Lisbeth vanishes to avoid capture by the justice. Mikael, not believing the police, is despairingly trying to clear her name, using all his resources and the staff of his magazine. During this process, Mikael discovers Lisbeth’s past, a terrible story of abuse and traumatizing experiences growing up in the Swedish care system.

When he eventually finds her, it’s only to discover that she is far more entangled in his initial investigation of the sex industry than he could ever imagine.

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