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The Count of Monte Cristo (1844)

by Alexandre Dumas

Other authors: See the other authors section.

MembersReviewsPopularityAverage ratingConversations / Mentions
26,822439122 (4.33)9 / 1350
The Count of Monte Cristo is the tense and exciting story of Edmond Dantes, a man on the threshold of a bright career and a happy marriage, who is imprisoned in the island fortress of the Chateau d'If on a false political charge. After staging a dramatic escape, he finds the fabulous treasure of Monte Cristo which makes him wealthy. He then sets upon the course of revenge against his old enemies.… (more)
  1. 201
    The Three Musketeers by Alexandre Dumas (caflores)
  2. 101
    The Stars My Destination by Alfred Bester (rareflorida)
    rareflorida: An old SciFi classic based upon The Count of Monte Cristo. Be patient because the begining of the story may be frustrating but you will eventually see the intelligence.
  3. 124
    Les Misérables by Victor Hugo (VictoriaPL)
  4. 82
    The Black Tulip by Alexandre père Dumas (2below)
    2below: These stories share some key themes and plot elements. It's not nearly as epic as The Count of Monte Cristo but makes for an interesting comparison.
  5. 71
    The Scarlet Pimpernel by Baroness Orczy (SandSing7)
  6. 52
    Cyrano de Bergerac by Edmond Rostand (VictoriaPL)
  7. 41
    Ivanhoe by Sir Walter Scott (SandSing7)
  8. 31
    The Meaning of Night: A Confession by Michael Cox (citygirl)
    citygirl: Another detailed, intricately plotted revenge tale.
  9. 31
    Scaramouche by Rafael Sabatini (MarcusBrutus)
  10. 31
    The Man in the Iron Mask by Alexandre Dumas (keeneam)
  11. 10
    The Count of Monte Cristo [2002 film] by Kevin Reynolds (Anonymous user)
    Anonymous user: Fascinating interpretation. Very free and very different. Really an independent work of art. If not superior to the novel, certainly not inferior to it either. Great script, superb cast, beautiful music, gorgeous production design.
  12. 11
    Selected Short Stories by Guy de Maupassant (bokai)
    bokai: While Maupassant's power is in his slice of life short stories told in an objective narrative voice and Dumas is the master of the thousand page epic told (see more) in highly sympathetic narration, both authors evoke images of the same France and are unequaled in their skill at bringing character and conflict to life. A short by Maupassant is a great way to break up the lengthy prose of Dumas, and Dumas, in turn, expands and elaborates the world that Maupassant provides only glimpses of.… (more)
  13. 22
    The Three Musketeers Twenty Years After The Vicomte of Bragelonne Ten Years Later Louise de la Valliere The Man in the Iron Mask (The Complete d'Artagnan Romances): Completed Second Edition by Alexandre Dumas (MarcusBrutus)
  14. 11
    Moonfleet by John Meade Falkner (elizabeth.a.coates)
    elizabeth.a.coates: Both are adventure stories that take place over a number of years and deal with riches, revenge, and romance
  15. 00
    The Tavern Knight by Rafael Sabatini (Morryman84)
    Morryman84: Protagonist in both is seeking revenge
  16. 12
    The Queen of the South by Arturo Pérez-Reverte (lilisin)
    lilisin: "Queen of the South" is a modern retake on "The Count". Not my favorite read but you can definitely see the parallels.
  17. 01
    Gil Blas by Alain René Le Sage (roby72)
  18. 01
    The Stars' Tennis Balls by Stephen Fry (lizzybeans11)
  19. 01
    Shōgun by James Clavell (ShaneTierney)
  20. 56
    The Great Gatsby by F. Scott Fitzgerald (TomWaitsTables)
    TomWaitsTables: The story of a man consumed by his obsession, but instead of revenge, Gatsby is chasing the American dream.

(see all 23 recommendations)

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English (405)  Spanish (15)  Italian (5)  Dutch (3)  German (2)  Finnish (2)  French (2)  Turkish (1)  Swedish (1)  Danish (1)  Catalan (1)  All languages (438)
Showing 1-5 of 405 (next | show all)
Count of Monte Cristo has been on my TBR bucket list for a long time. Motivated by my real life Reading Group, we read it over 2 months in the summer. Or in my case I listened to it. I really enjoyed it. And actually found the end unexpected. The only bit where it dragged for me was the Italian section - I was puzzled as to what was going on and it went on too long. But once we are back in France, it whizzed along. I was glad to find an online outline of all the characters and their relation to each other (plus their many different names) - that helped massively.
Very enjoyable and I'd now love to see the new French language film version at some point. ( )
  infjsarah | Dec 16, 2024 |
The first quarter had me hooked on Edmond's story of malicious prosecution, imprisonment, escape, and discovery of a treasure. With hundreds of pages still to go, I was wondering though why it would take so many to tell the tale of his revenge...

It turns out the novel changes suddenly and violently. The character of Edmond, his story, his personality go out the window. We find him, years later, transformed into the Count, a sort of avenging angel: part Batman, part Robin Hood, part cosmopolitan billionaire. He is no longer so much a human being as a demigod, able to discover every secret, spend any amount, and manipulate any person to his own hidden ends. I see what Dumas's idea was: the Count takes it upon himself to embody tragic fate or karma, instigating convoluted plots to reveal the skeletons in his enemies' closets and detonate the landmines laid years before and waiting to explode their comfortable lives. It's a clever way to get revenge: help everyone's just deserts to work themselves out, as fate is supposed to do.

But it didn't work for me. Edmond was no longer a realistic personality at the heart of the book, but merely a catalyst for reactions among all the other characters, the foreordained working out of relations among them. I was not interested in their secrets. I did not care when shocking connections between them were revealed, what murders covered up, what frauds, what unfaithfulness. I did not want to read a novel about these supporting characters' past indiscretions. I wanted Edmond to restore justice by the denouement of his own story, not for him to become Fate itself and merely serve to speed up the working out of the stories of the others.
  fji65hj7 | Nov 17, 2024 |
I LOVE the classics, and this was no different. Dumas creates a wonderful cast of characters that you can both love and loath. He can get a little carried away in the details at times, but it is more than forgivable, especially when you take into consideration how he wraps up the story and brings everything full circle. Not quite as good as The Three Musketeers, in my opinion, but still quite excellent. A must read! ( )
  cebellol | Nov 8, 2024 |
This is an amazing book and a great story. I had put off reading this book for a very long time due to the sheer size of it and the fact I always have so many books to get through and this seemed like a real time consumer. But it was well worth the wait and the read.

This is one of those books that has been reviewed to death so I am just going to give my own views on how I liked it.

I loved the plot and how the story rolls, the characters are so well developed and believable. At times I did get a little dazed with all the names and all the name changes.

This is an amazing story of revenge and a wonderful insight into parasian life in the 1830s.

I really enjoyed this novel and its a real page turner. ( )
  DemFen | Oct 31, 2024 |
Wow, this book was stunning! If you are put off by the length, don’t be. It’s a real page-turner, crammed with intrigue, banditry, sex and drugs, piracy, courtroom drama, betrayal, murder— even stock market shenanigans! Sometimes it is melodramatic in the way only 19th century lit can be, but it is nevertheless thoroughly engrossing. There is also a LOT of questionable morality. I would almost call the Count of Monte Cristo an anti-hero. But what I found admirable in Dumas’ work is that even the bad guys are fully developed. They are not mere caricatures, and I found at least a little sympathy even for The worst of them. As someone who mainly reads British classics, the differences in the French mindset were really interesting. They are definitely a lot more frank about sex and affairs. But also because of the revolution and its various successors, there was a lot more openness to “self-made men” in a way that 19th century Brits would never accept. The fact that all these filthy rich, high society folk started out in life as poor fisherfolk from the coast - there is no way that would fly in old England.

This book is 100% worth the read! ( )
  merrywandering | Oct 24, 2024 |
Showing 1-5 of 405 (next | show all)

» Add other authors (89 possible)

Author nameRoleType of authorWork?Status
Dumas, Alexandreprimary authorall editionsconfirmed
Bair, LowellTranslatorsecondary authorsome editionsconfirmed
Batchelor, PeterNarratorsecondary authorsome editionsconfirmed
Binni, LanfrancoTranslatorsecondary authorsome editionsconfirmed
Botto, MargheritaTranslatorsecondary authorsome editionsconfirmed
Brom, PavelIllustratorsecondary authorsome editionsconfirmed
Bromova, DagmarIllustratorsecondary authorsome editionsconfirmed
Buss, RobinTranslatorsecondary authorsome editionsconfirmed
Clapham, MarcusAfterwordsecondary authorsome editionsconfirmed
Coward, DavidRevised Translation and Introductionsecondary authorsome editionsconfirmed
Fabre, Francois-XavierCover artistsecondary authorsome editionsconfirmed
Finne, JalmariTranslatorsecondary authorsome editionsconfirmed
Franceschini, EmilioTranslatorsecondary authorsome editionsconfirmed
Hasenbein, MeinhardÜbersetzersecondary authorsome editionsconfirmed
Homewood, BillNarratorsecondary authorsome editionsconfirmed
Lee, JohnNarratorsecondary authorsome editionsconfirmed
Loutherbourg, Philip James deCover artistsecondary authorsome editionsconfirmed
Mathias, RobertCover designersecondary authorsome editionsconfirmed
Maurois, AndréIntroductionsecondary authorsome editionsconfirmed
Moncada, JesúsTranslatorsecondary authorsome editionsconfirmed
Paduano, GuidoTranslatorsecondary authorsome editionsconfirmed
Schaeffer, MeadIllustratorsecondary authorsome editionsconfirmed
Silo, MoroNarratorsecondary authorsome editionsconfirmed
Timothy, AndrewNarratorsecondary authorsome editionsconfirmed
Ward, LyndIllustratorsecondary authorsome editionsconfirmed
Washington, PeterEditorsecondary authorsome editionsconfirmed
Williams, FredNarratorsecondary authorsome editionsconfirmed
Wren, KeithIntroductionsecondary authorsome editionsconfirmed

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On February 24, 1815, the lookout of Notre-Dame de la Garde signalled the three-master, the Pharaon, coming from Smyrna, Trieste, and Naples.
On February 24, 1815, the lookout at Notre-Dame de la Garde signalled the arrival of the three-master Pharaon, coming from Smyrna, Trieste and Naples. (Robin Buss)
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(Click to show. Warning: May contain spoilers.)
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These should be the unabridged editions of The Count of Monte Cristo
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Wikipedia in English (3)

The Count of Monte Cristo is the tense and exciting story of Edmond Dantes, a man on the threshold of a bright career and a happy marriage, who is imprisoned in the island fortress of the Chateau d'If on a false political charge. After staging a dramatic escape, he finds the fabulous treasure of Monte Cristo which makes him wealthy. He then sets upon the course of revenge against his old enemies.

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Book description
Der Graf von Monte Christo (orig. Le Comte de Monte-Cristo) ist ein Abenteuerroman von Alexandre Dumas.

Die Geschichte spielt in der Zeit nach der Französischen Revolution in den Jahren 1815 bis 1838. Napoleons Stern ist untergegangen, und die Restauration unter den Königen Ludwig XVIII. und Karl X. hat stattgefunden. Dann folgt die Julirevolution von 1830, durch die der "Bürgerkönig" Louis-Philippe I. auf den Thron kommt.

Die Hauptfigur des Romans ist der junge Seemann Edmond Dantès, der später den Namen Graf von Monte Christo annimmt. Dantès hat eine in jeglicher Hinsicht glückliche Zukunft vor Augen, stürzt dann aber durch üble Intrigen in einen tiefen Abgrund. Völlig unschuldig muss er eine ganze Reihe von Jahren in einem schrecklichen Kerker zubringen. Zum Glück gelingt es ihm, Kontakt zu einem Zellennachbarn aufzunehmen, der ihm ein ungeheuer großes Vermögen vermacht. Als der Zellennachbar stirbt, gelingt Dantès eine spektakuläre Flucht. Er gelangt tatsächlich in den Besitz des viele Millionen umfassenden Erbes und wird nun zu dem geheimnisvollen Grafen von Monte Christo.

Zwei Ziele verfolgt er von nun an: die Belohnung von Menschen, die ihm Gutes getan, ihn unterstützt haben, und die Bestrafung derer, die ihm übelwollten und ihn schädigten. Neun Jahre lang bereitet Dantès seinen Rachefeldzug vor. Er erkundet die Lebensumstände der Verhassten bis ins kleinste Detail und entdeckt dabei, dank unglaublicher Zufälle, noch weitere von ihnen begangene Schandtaten. Alles scheint mit allem schicksalhaft verwoben, so-dass sich Dantès schließlich kaum noch als Rächer in eigener Sache sieht, sondern eher als Werkzeug der Vorsehung oder personifizierte Strafe Gottes.

Nach unerbittlicher Rache endet der Roman in einer versöhnlichen und nachdenklichen Stimmung.
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